ART FOR ART'S SAKE
escolma:

Claude Monet, Nymphéas

escolma:

Claude Monet, Nymphéas

villa-rosie:

St. Stephan’s Cathedral, Passau

villa-rosie:

St. Stephan’s Cathedral, Passau

zeroing:

Degas
archivesofart:

The Japanese Bridge by Claude Monet, 1919-24

archivesofart:

The Japanese Bridge by Claude Monet, 1919-24

archivesofart:

The Yellow House by Vincent van Gogh, 1888. This piece is also known as Vincent’s House at Arles, where Paul Gauguin also stayed as a guest for a couple of months.

archivesofart:

The Yellow House by Vincent van Gogh, 1888. This piece is also known as Vincent’s House at Arles, where Paul Gauguin also stayed as a guest for a couple of months.

artmastered:

Road with Cypress and Star by Vincent van Gogh, 1890. Vincent’s brushstrokes are perfect for creating the illusion of swirling wind in a painting.

artmastered:

Road with Cypress and Star by Vincent van Gogh, 1890. Vincent’s brushstrokes are perfect for creating the illusion of swirling wind in a painting.

artmastered:

Lincoln Center by Roy Lichtenstein, 1966

artmastered:

Lincoln Center by Roy Lichtenstein, 1966

GOLDEN GATE

GOLDEN GATE

CLOUDS (BLUE)

CLOUDS (BLUE)

BETTY

BETTY

TWO CANDLES

TWO CANDLES

just got back from berlin, where i saw (amongst other thing- this one definitely most interesting) GERARD RICHTER - PANORAMA exhibition
a must-see !
http://www.smb.museum/smb/kalender/details.php?lang=en&objID=29733
http://www.gerhard-richter.com/
Gerard Richter CONSTELLATION

just got back from berlin, where i saw (amongst other thing- this one definitely most interesting) GERARD RICHTER - PANORAMA exhibition

a must-see !

http://www.smb.museum/smb/kalender/details.php?lang=en&objID=29733

http://www.gerhard-richter.com/

Gerard Richter CONSTELLATION

artmastered:

Composition II in Red, Blue and Yellow by Piet Mondrian, 1930. Mondrian’s work is all about form, colour, scale and the overall effect of these factors combined. For example, what is the meaning of the red section being the biggest by a significant amount? What sort of atmosphere does the piece evoke because of this? I like the dark outlines Mondrian uses to separate each section; they act as boundaries, containing the colour in its own private space.

artmastered:

Composition II in Red, Blue and Yellow by Piet Mondrian, 1930. Mondrian’s work is all about form, colour, scale and the overall effect of these factors combined. For example, what is the meaning of the red section being the biggest by a significant amount? What sort of atmosphere does the piece evoke because of this? I like the dark outlines Mondrian uses to separate each section; they act as boundaries, containing the colour in its own private space.

sfmoma:

New Year’s Resolution: NO MORE BORING ART!

John Baldessari, “I Will Not Make Any More Boring Art”, 1971. Courtesy MOMA.

(via SFMOMA)

sfmoma:

New Year’s Resolution: NO MORE BORING ART!

John Baldessari, “I Will Not Make Any More Boring Art”, 1971. Courtesy MOMA.

(via SFMOMA)